Sunday 21 December 2014

Narrative Structure - Unit 11

Story & Narrative: 

Story: Story is not a synonym for narrative. Story is the plot line of whats happening gets told but gets changed a lot overtime.

Narrative: Narrative structure: how we decide to tell the story. Same set events gets told.

Agency: The key driver for the narrative.

3 act narrative structure: 

Beginning:

Middle:

End:

5 act Classic Hollywood Structure:

Exposition: Key characters , locations

Development: You get to know more about the characters.

Complications: When something bad happens

Climax: When the problems gets solved.

Resolution: Happy Ending

Linear: story happens in this order.

Non- Linear: All these stages happens but the stages are jumbled up which often causes the story to be quite frightening and keeps you on edge. 


BBFC letter - unit 41


127 Highstreet 
Linton
Cambridge
CB21 4JT

20/12/2014

07533089121

dayna_crawford@hotmail.co.uk

Dear Sir/ Madam,

I am contacting you regarding the submission of my film "Behind the doors of Wesley West"not be considered for classification.

Ideally i would like this film to get a PG certificate and the reasons for this is because it has no violence, drug or sexual refrences.

If you have any opposition regarding the certificate I have chosen, or feel another certificate is best suited for my film, please let me know

yours sincerely,





 Dayna Crawford

BBFC Research - unit 41

BBFC RESEARCH
who is the BBFC and what is their role?
BBFC - "British board of film classification" or otherwise known as "British Board of Film Censors."
It is a Non - governmental organisation funded by the film industry and is responsible for the National classification and censorship of films in the United Kingdom.
Their requirements are to classify videos, DVDS and video games to a certain extent as some video games are under the 'video recordings act of 2010'.

History
The BBFC was established in 1912 as a 'British Board of Film censors' by members of the film industry and began operating on 1 January 1913. Its legal basis is the "Cinematograph act of 1909".  This is because cinemas have to have licenses from local authorities.
This was introduced for safety reasons after a number of cases of nitrate film fires in unsuitable venues (shops that had been changed into cinemas.) however, in the following year, court ruling determined the criteria of granting or refusing a license.

In December 1986, the first computer game to be certified by the BBFC was an illustrated text adventure of "Dracula" which received a 15 certificate but also the first computer game to receive an 18 certificate on the 11 December 1987.

Age certificate:
SymbolNameConsumer AdviceRecent examples
UUniversalAll ages admitted, there is almost nothing unsuitable for children.Turbo
The smurfs 2
PGParental GuidanceAll ages admitted, but certain scenes may be unsuitable for young children. Should not disturb children aged 8 years or over. May contain mild language and sex/drugs references. May contain moderate violence if justified by context (e.g. fantasy). Parents may wish to check the film before they let their children watch it.Wreck - it - Ralph
12A12ACinema only. Introduced in 2002. Films under this category are considered to be unsuitable for very young people. Cinemas are only permitted to supply tickets to see a 12A-rated film to children under the age of 12 years if they are accompanied by an adult, aged at least 18 years. However, it is unlikely to be suitable for children under the age of 12. Films under this category can contain mature themes, discrimination, soft drugs, infrequent strong language and moderate violence, sex references and nudity. Sexual activity may be briefly and discreetly portrayed. Sexual violence may be implied or briefly indicated.

Iron man 3,
The hunger games: Catching fire.
1212Home media only since 2002. Suitable only for persons aged 12 years and over, not to be supplied to anyone below that age. It is illegal to knowingly rent or sell a 12-rated VHS, DVD, Blu-ray Disc, UMD or game to anyone under the age of 12. 12A-rated films are usually given a 12 certificate for the VHS/DVD version unless extra material has been added that requires a higher rating. The content guidelines are identical to those used for the 12A certificate.Les Mis, The perks of being a Wallflower.
1515Suitable only for persons aged 15 years and over, not to be supplied to anyone below that age. It is illegal to knowingly rent or sell a 15-rated VHS, DVD, Blu-ray Disc, UMD or game, or supply cinema tickets for a film with this rating, to anyone under the age of 15. Films under this category can contain adult themes, hard drugs, regular use of foul language and limited use of very strong language, strong violence and strong sex references, and nudity without graphic detail. Sexual activity may be portrayed but without any strong detail. Sexual violence may be shown if discreet and justified by context.The heat, Mama
1818Suitable only for persons aged 18 years and over, not to be supplied to anyone below that age. It is illegal to knowingly rent or sell an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or supply cinema tickets for a film with this rating, to anyone under the age of 18. Films under this category do not have limitation on the foul language that is used. Hard drugs are generally allowed, and explicit sex references along with detailed sexual activity are also allowed. Scenes of strong real sex may be permitted if justified by the context. Very strong, gory, and/or sadistic violence is usually permitted. Strong sexual violence is permitted unless it is eroticised or excessively graphic.Django unchained
R18Restricted 18Can only be shown at licensed adult cinemas or sold at licensed sex shops. It is illegal to sell a film with this rating to anyone under the age of 18, and it is illegal to sell a film with this rating by means of mail order, or online or by telephone. Films under this category always contain hard-core pornography, defined as material intended for sexual stimulation and containing clear images of real sexual activity, strong fetish material, explicit animated images, or sight of certain acts such as triple simultaneous penetration and snowballing. There remains a range of material that is often cut from the R18 rating: strong images of injury in BDSM or spanking works, urolagnia, scenes suggesting incest even if staged, references to underage sex or childhood sexual development and aggressive behaviour such as hair-pulling or spitting on a performer are not permitted. More cuts are demanded in this category than any other category.[23]N/A
Legal Backing
The BBFC has no legal power, films don't have to be submitted for classification as it falls to councils to decide who should be admitted and who shouldn't. It generally applies to the BBFC certificates making them legally binding. In some cases however, councils may impose their own conditions either raising of lowering the minimum entry age for certificate. Setting their own minimum entry age for films that may have been refused by the board or that have never been submitted for BBFC certification. Before 1985, there were no legal binding ratings on video releases. The video Recordings act of 1984 introduced new legal powers to certify video releases independently from any existing cinema certificate. 

Coraline Case study:
 
Director: Henry Selik 
Year: 2009
Status: PG Uncut

Why did the BBFC settle on PG for Coraline?
BBFC guidelines for junior categories notes that PG has some scary moment as has a "rollecoaster effect" like Jurassic Park or Lord of the rings: The fellowship of the ring.
Coraline arrived at the BBFC with a PG category request as it is based around a children's book by Neil Gaiman and is a stop - motion animated film similar style to "Nightmare Before Christmas and "The corps Bride." 
At PG, the BBFC guidelines allow some elements of 'horror' along as it meets the criteria that there are not too many "frightening sequences" and are not too intense. The film has to have a positive and reassuring outcome for the BBFC to consider it as a PG.  Examiners noted a general air of creepiness of spookiness running throughout the film and despite the scariness, the film features a number of elements that reduce the intensity of frequency scenes. This includes moments of comedy and fun like silly songs, performances by dancing mice and the strange behaviour of the amusing and colourful neighbours. There is also, a lot of emphasis on the reassuring, happy ending.

Wednesday 17 December 2014

Rushes Log and Edit decision - unit 41
























This screenshot is of clips that I have used in my documentary. The highlighted ones are of ones that are the most important and the ones that I have mostly used in my documentary.


This shows a screenshot of some of my timeline sequence and how I have set the edit out to have my music running through the whole thing at the bottom of the rest of the clips I have to create a continuous sequence.

Sunday 7 December 2014

story structure diagram - unit 11

This is the outline of my documentary

script draft - unit 11



Peer feedback:

The feedback i received was to take out some of the speech in which the interviewer says about Alice. I was also advised to edit the script to make it more direct and more forward due to the fact that i will not actually be filming this documentary i could include more questions of a personal nature.

I was also advised that if i was to structure the questions to the Alice's family much better the structure of the script would be much better.


Set Design - unit 41

I plan to film in 3 different locations 

Wesley's house
Wesley's garden
Wesley's workshop.

As i want the documentary to be an accurate reflection of Wesley's life and home, i docent plan on changing or rearranging anything in his house, garden or workshop.

I plan to leave everything where it is, although i will think carefully about where to place the camera and the subject in the room.



 For my first interview, I am landing to situate this in the living room. This is because it is a homely and relaxing place to conduct an interview. I plan to follow the rule of thirds and i plan to place him to the right of the screen in a mid shot. I picked this areas as its subtly shows off his work in the background/ on the walls so it emphasises his creativity and achievements.

For my second part of the interview, Wesley will be giving us a tour of the garden. This will be spontaneous and won't be thinking too much into set design as we will be following Wesley and he'll be deciding what he wants to show us. We'll be alternating from focusing the camera on Wesley to focusing it on his models.
Lastly, for the third interview, i will shoot Wesley still, in front of his models and equipment that are in his workshop. I will obey the rule of thirds and the shot will be a close up head shot. I will interview his sitting down talking and also some will be him standing up, working on his current project. I will position the camera so that the audience can see a bit of his desk and what he is working on.

Documentary Treatment - unit 41

Title: The title of my documentary will be 'Behind the doors of Wesley West'

Synopsis: This documentary shows Wesley's unique work that he's been previously commissioned to make and work that he's made from scrap metal that he's found lying around. Interviews also take place to tell his story as to how he started off and what inspired him to follow this career path.

Themes and concept of the film: The documentary stars Wesley West and his years as an Advertiser and artist. The documentary will deal with themes such as ambitions, job aspects, comedy and creativity.

Length and other technical details: I am hoping that my documentary is around the 9 minute mark as it was intentional to produce a documentary between 5-10 minutes.  The format of the shot will include the Arc shot, Close up shot, medium shot and a panning shot to create a number of different shots of Wesley and his work. It will be in HD digital 

Target Audience: The target audience that i am aiming to attract includes a wide variety of people varying from late teens to the older generations such as 65's - 70s both men and women. These people maybe interested in the arts and enjoy going to see documentaries such as mine. I am aiming to enter my documentary into a range of different film festivals such as the Strawberry shorts film festival and also into cinemas such as Cambridge arts theatre. 

Contact Details: 
Email - daynacrawford@hotmail.com
telephone number: 07983437341